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  • Record/Vinyl + Digital Album

    14 years' hard labor by a cast of dozens went into Milwaukee's first triple album, Quality Items by Eric Blowtorch and the Inflammables.
    "Like Sandinista!, the longer you live with it, the more you discover, and deeper you find your love for it." -Steve Shafer, The Duff Guide to Ska

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  • Full Digital Discography

    Get all 27 Eric Blowtorch releases available on Bandcamp and save 40%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Been So Down, Bluegrass Kas, Too Many Dues, Quality Items, Groping in the Dark, Straight to Hell, Most Dangerous Man, Salt Water, and 19 more. , and , .

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1.
First Taste of Freedom (E. Beaumont) We were the brothers at the bottom of the totem pole, taking all the trash the town was talking Then we heard the secret signal that saved our souls Man, until tonight I was only sleepwalking So, with all the love we’ve got to give and for all the life that’s left to live, we taste freedom for the very first time Shout it loud around the block, shout it proud around the planet Freedom for the very first time I’m ecstatic and you know you had a hand in it I want to run around the city in exhilaration, take out the trash from the past I want to savor every second, every single sensation, blow out boredom with the barium blast Now you’ve way too much sense of humor to be just another consumer Breath deep, breathe heavy and hard, my brother Take us out of this town, sayonara to the schoolyard Freedom for the very first time Shout it loud around the block, shout it proud around the planet You’re gonna seize thine, no one’s gonna disperse mine When did it end?
2.
The Great Space Shield (Beaumont/Belsha/Tanzilo) Screaming comes across the sky – a brand new kinda scream rigged to do us all in and it will do its duty Will you do your duty? Yeah, will you do your duty and will I do mine? Fine! Dreaming from the five-cornered cabal – a brand new beam made to make contractors grin and it will do its duty Will you do your duty? You should not do your duty and I should not do mine! Rewind! X-rays, lasers, particle beams Best brains inviting chaos in their wildest schemes They want to start wars because they never fought wars – let them fight their own This is it, honey – this isn’t funny – there is no neutral zone Cry, die, or what the hell it is you do
3.
She's a Pro 02:26
She’s a Pro (Beaumont/Belsha/Spangenberg/Tanzilo) She don’t come cheap with the chump change Don’t dump on that dame – are you deranged? She don’t want to love the man until he get old and die The man is quaking in his suit and his powerful tie She looks him in the eye and he’ll day down and die So long, baby, goodbye The man is quaking, shaking, baking ‘cause she’s a pro, she’s appropos She’s a pro – don’t you know? – she got the flow – you gotta go She’s a pro – she swing solo She’s no po-mo give-and-go, she’s no hit-the-floor-really-doe quickie ho’, Joe Takes no shorts no more She’s a P-R-O She bat eyelashes and the big guy crashes his knife upon the plate – his life – it flashes She says, “The sun is sinking in the sky, so let’s dance and do the dog and then goodbye” The man is loosening his tie His roving eye ‘cause she’s a pro, she swing solo She’s no po-mo give-and-go, she’s no hit-the-floor-really-doe quickie ho’, Joe Takes no shorts no mo’, she’s apropos She’s a a pro – act like you know – she got to Go! Go! Go! Get hip, take a trip, and catch the swinging door She don’t need you when she have piano Bless your soul when you go below On your marks, men, get set, go
4.
Best of Times (E. Beaumont) You say you’re so downhearted Life is war and your heart is darkened Look up, look up: clouds done parted, brotherman Rich white folks drive you mad, stealing votes to storm Baghdad Look out, look out – you got heart and soul they never had Best of times These could be the best of times so, if your life is blessed like mine, thump your chest two times War is hell So is love Can’t get no help from above Look ‘round, look ‘round – the living you’re still part and parcel of You can die any old day Clock them kids asleep, at play Seek and ye shall find many, many, many reasons to stay Unprecedented pain Unending stress and strain but, if your heart and soul ain’t buried, then, hobo, you can ride this train Please pardon the expression but we’ve all known great depression Stop, look, and listen – pity party’s out of session
5.
O Caminho de Pedras (D. Hanrahan/E. Beaumont) Chegar à praça numa tarde vazia o sol batendo na terra sem parar e conversar com un senhor estranho e darl-lhe uma notae mal lembrar quem é Organizar e esperare vadiar tranqüilo: se perder e contemplar e resonhar numa tarde vazia: a vida Organizar e esperar e vadiar tranqüilo: maravilhar Recontemplar a vida
6.
Don’t Jive Me, Marlene (E. Beaumont/D. Cusma) You are my lucky charm, Milwaukee’s favorite girl with a sense of humor clear out of this world Only 15 with a chance to survive If I have to move Heaven, you’ll make it alive Now I’m on a journey; you belong back in school Approach me on 1st Street? You’re breaking the rules I left you back in Milwaukee but now I feel lucky What are you doing in New York? Don’t jive me, Marlene, no joking this time Don’t jive me, Marlene; don’t you know it’s a crime? Don’t jive me, Marlene; just give me your word With one word of kindness my blues would be cured You are not an A student but you’ve an A mind There’s a part of my heart here that I left behind She promised me gladness but left me with sadness You bring me your gladness but you’re just a ghost Now I’m on a journey; you belong back in school Don’t approach me on 1st Street? You’re breaking the rules I left you back in Milwaukee but now I feel lucky What are you doing in New York? Don’t jive me, Marlene, no joking this time Don’t jive me, Marlene; don’t you know it’s a crime? Don’t jive me, Marlene; just give me your word With one word of kindness my blues would be cured I’m ashamed, I feel ruined; what are you doing? You tell me it’s all right – Marlene, it’s twilight You’re bringing me lessons from way west of Avenue A I am the teacher, you are the student Go back to Milwaukee – do you know what you’re doing? I have to be happy right here, my dear Don’t jive me, Marlene, no joking this time Don’t jive me, Marlene; don’t you know it’s a crime? Don’t jive me, Marlene; just give me your word With one word of kindness my blues would be cured With one word of kindness my blues would be cured
7.
Too Close to Heaven (E. Beaumont) You’ve come so very far, the Far East to the Yankee dancehall Look out, Miss Five Foot Tall, now you’re very near to a fall You’ve given your heart to a good man, my feet are leaden with fear Stop sweeping my off my feet – don’t break your promise here Don’t dance away the hours under melodies like showers It feels like walking on flowers Seconds turn to minutes, to hours and it’s… …twenty-two past eleven This feels too close to heaven You’re dancing much too close to me This is too close to heaven Won’t disrespect my brethren I’ll send you back, right back into his arms
8.
Guzzling Gasoline (E. Beaumont) Never knew a life without electric light Didn’t live through a time of “Brother,…Spare a Dime?” I slept through the Pleistocene Era Car frames came as a constant flame Flickered only in tornadoes and emergencies I’ve never really had to live with urgency The first foot on the pedal seldom touches earth Millionth customer at Citgo knows what life is worth This bucket is his birthright, blares the bully in the pulpit Gimme the pump, gimme premium, lemme gulp it I’m guzzling gasoline, more popular than protein It’ll take you through your teens – guzzling gasoline I’m guzzling gasoline and I don’t dress in green I’m a lean, mean killing machine guzzling gasoline We’ve burnt a hole in the sky – fly and drive: why do I? Clear-cutting miles and miles each day – give up lifestyle? Why no way? They’re dying in the desert and the driving’s less than pleasant Take the bus to the clubs or break out the dubs The army’s surrounded by hostile haters ready to repel all invaders Petrol price drops nine centavos, life goes on en la Estados Take one day to buy nothing, take another with no juice, another walking – hardly roughing – three days less with no excuse for guzzling gasoline….
9.
Dawning of the Heart (E. Beaumont) Pilot switches to manual, strips off gear, steps into sunrise, stops crying in his beer Gunner walks off the job, jamming in the ranks Brakes slam on West Bank-bound tanks This is the dawning of dissent Hot sun feels like freedom, no goddamn job Signs – we ought to read ‘em – say Stop grippin’ and slippin’ like stupid slobs One too many innocent strafed Man begins new life, conscience chafed This is the dawning of discontent This is the dawning of the heart, a brand new start Might be what sets you and me apart from lions and hyenas, crimes and misdemeanors Flying in between us are the sparks of awakened hearts He waits in hate in LGBT congregation pew, trembles, shudders, imagines broken sisters and brothers Sweats as suitcase ticks Armageddon, jets with the bomb out the pew – no redrum This is attack of the conscience This is the dawning of the heart, a brand new start Might be what sets you and me apart from lions and hyenas, crimes and misdemeanors Flying in between us are the sparks of awakened hearts
10.
Every Star in the Sky (E. Beaumont/B. Foldy/M. Koch/R. Umali) When I was young she was my great one She was pretty and witty and wise One look in those eyes and I knew she’d always be mine We met at school, she was no fool She was ready and steady and she upset my world Goodbye, rational reason and rule Life was sublime and every star in the sky would shine One cloudy day she went away but she wrote me and told me everything I wanted her to Every day a letter, sometimes two She’d always be mine That much I thought I knew Your heart still beats after you break it Love isn’t yours if you don’t take it The world is yours when you’re in love, out of your mind Now I’m much older and I know better than to tame her or claim her She was never really that kind I must have been out of my mind She never knew it but she was mine, mine, mine, all mine We’ll never redo it like when every star in the sky would shine
11.
Set My Woman Free (E. Beaumont) I see you standing standing in that pose I see you wearing wearing my woman’s clothes I hear you shouting hateful things below below my belt Drop that gun, let my woman go This is a free country Set my woman free I’ve had enough tribulation, pain Release my love Break the shackles, loose the chains Bring her back Bring my baby on back to me Back up across the track Set my woman free This is a free country Set my woman free You are too cruel Do you take me for a fool? You ain’t the one with whom I had so much fun You’re insensitive You must think I am too dense to live You are evil She was fine, you are feeble This is a free country Set my woman free You wait, she’ll break free Set my woman free
12.
Bad Dream 03:38
Bad Dream (E. Beaumont) Sister, serious shit you been seeing Twisted bodies flattened on windscreen Breathing babe and suckling sucked out with recycling Brutality taking over Mother, what a bother, what a weeping The forest flamed out while fireman was sleeping The poor, poor neighborhood gets no public good Private interest stepping forward and your boyfriend, your boyfriend doesn’t phone and you feel so lonely, lonely, alone like Margarita with one limp hand stuck inside the trombone Bad dream – today was just a bad dream This terror must subside You’ll feel better after you have cried Bad dream – no need to get stoned or pie-eyed Dad, so sad: sickness and suffering Enough – the king’s smothering your brethren The commander’s never fought, ooh, and he’s telling you you ought to Will you kill for his company? Brother, can’t you think of another subject for discussion? Death is just one unending concussion Happiness you’ve had, so exhort me I’m going to give it to you shortly and your girlfriend, your girlfriend doesn’t answer and you’ve used up your last lucky chance, sir like Don Cosmic dropped the dime on Eastern Standard Time Bad dream – today was just a bad dream This terror must subside You’ll feel better after you have cried Bad dream – no need to get stoned or pie-eyed
13.
Back Off, Genius! (E. Beaumont) Come on, come out of the kitchen and into the bright lights, from a thousand verbal retractions to positive consumer reactions Well, the boy said, “Hubba hubba,” not a husband or a man but, in another time, another land, another rhyme, it is your day Turn on the doggone Dictaphone and make it play Back off, genius! You know I really mean this: Let nothing come between us You say you’re not for confinement, convolution, or commitment You’re just a Citizen for a more Glamorous Environment You didn’t take a drag or taste his backwash Said it was like Bigfoot calling Chewbacca Sasquatch Whenever you leave we always hope you’re coming back Put me, put me, put me in that punk rock almanac Saw you today and had a soul attack We could dance but you would break the Torch’s back Back off, genius! You know I really mean this: Let nothing come between us
14.
Never Too Far Away (E. Beaumont) I came into this world in the hope of meeting you 33 times it turned, my dearest dream came true I’ll never trip, I’ll never slip through the ice and out of loving view You never know where I’ll go, but I’m never too far away from you The Western suns have set, the empire’s light gone out On the East Side of town we met – now your whisper’s like a shout Columbus, Tokyo - None of us really know Durban, Turkestan - where we can really go Milano, Moscow - I know that’s how Charleston, Vatican, Harlesden - how we can Boston, Beldgrade - often feel sad Tampa, Topeka, Tupelo - You go Hyderabad, Baghdad - there and Neptune, Pluto, Io - I go Never too far away Heaven is where your head you lay In my hear you will always stay for I am never too far away Postcards and letters lie if in your dreams I die Heaven is where your head you lay and I am never too far away
15.
You Ain’t Mad (E. Beaumont) Hey, kid, I know the bid is tasting like a naff meal You’ve watched 50,000 murders, half of them half real Now you can’t tell good action from the bad and you can’t talk to Mom or your dad How many smiles can the conscious kid fake? How much cruelty can the young heart take? You ain’t mad, little man, you’re only angry You’re not crazy, cuz; you’re only looking for the buzz You’re not insane; you’re only using your right brain You’re not losing it; you’re just a refusenik Open up the paper, switch on the radio Flick on for commentary, click here for slide show Nobody wants to hear you; they only want to train you, detain you, contain you, work you while they chain you WMADs, abortion, slaughter, and extortion All day your mind is going through contortions What’s to blame, government or business? Sin? Religion? What kind of heaven is this? Televised hand extends itself but still you’re lonely by ya own delf, drunk on distractions, aflame with ideas, galvanized by love, paralyzed by fears Listen to me, lad, or you can turn the lecture off The world is mad; believe me, you’re better off Scream, shout, rant, rave, cry, beat angry congas, holler at the top of your lungs
16.
Paz Para Vieques (E. Beaumont) Don’t denigrate this; let’s celebrate this Finally, paz para Vieques 70-year-old grannies stopped the madness, filled the Puerto Rican population with gladness Now they’re telling the U.S. that they love the U.S. They say they don’t hate us for nearly killing Vieques Ain’t that a gasser? Peace for our friends? About time for the Cold War to end No enemies left, not even the Cubans The Puerto Rican people are telling the truth man and they’re telling the U.S. that they love the U.S. They say they don’t hate us for nearly killing Vieques This historic date feels great, this ¡Viva paz para Vieques! 70-year-old grannies stopped the madness, Sixty years of suffering ending in gladness
17.
Ghetto Resistance (E. Beaumont/A. Noble/H. McKinney) You’ve taken us prisoner shackled our feet and our wrists seduced artist and scrivener but ghetto resistance persists You’ve crafted your camps, sir caged us with wires and with bricks but the stars speak and they whisper you don’t treat my people like this Lay down? Not quite – we strike, unite Allies come from far and wide Cut deeply you might, you know you’re not right Your body will rot from inside You call out your dogs now drunk on blood and confidence Millions are marching from Moscow to take the place of your conscience Abraham’s blood flows like a flood The sparks of our flight giveth light Sarah, your pain loosens my chains The family once more will unite
18.
Town for Sale (E. Beaumont) It’s just not healthy here: dust, noise, the occasional blue plume, spots on vehicles and all over living rooms, raspy throats, burning eyes, sore lips but not from kissing – American Electric wouldn’t listen At the public meeting the clerk’s lips were bleeding Sightings of blue cloud, touchdown of blue haze, spots on vehicles, fly ash release This is a company town so tell the company clerk to call the company police Now what can a poor corporation do? Too many complaints of too much blue from 221 residents, down from 222 Town for sale, town for sale Here’s 20 million dollars Now get lost and never bother American Electric in your miserable lives again Town for sale, I tell you no tall tale Get on the track now, y’all don’t come back now Times Beach and Love Canal – this won’t be like them at all 87-year-old lady won’t move Neighbors played her cheap and they know it’s true Well, company procedures won’t improve Lord watch over that old lady – you know that she won’t move Town for sale, town for sale Here’s 20 million dollars Now get lost and never bother American Electric in your miserable lives again Town for sale, I tell you no tall tale Get on the track now, y’all don’t come back now Times Beach and Love Canal – this won’t be like them at all Town for sale, town for sale (repeat)
19.
20.
Rich Man Friend (E. Beaumont) Rich man friend Rich man friend Rich man friend Rich man friend Rich man friend, let’s not pretend you give away your money or that you even lend Rich man friend, don’t try to defend: what puts you in that bracket puts the poor man in the pen and puts him to pressure and pain you can’t imagine Rich man friend, tell me, tell me true why everyone struggles and strives except for you Rich man friend, are you happy in your house? Inside your iron gates it’s quiet as a mouse It’s a good thing you have cable and that you have gin Rich man friend, how can you say you’re lonely, rich man friend, after all the things you’ve shown me? Rich man friend Rich man friend Rich man friend Rich man friend Rich man friend, friend of the rich man, do you ever see a starving baby, maybe want to switch, man? Rich man friend, put down the pistol Your life ain’t so rotten; I must insist all profit and plunder can be refunded Rich man friend, how can you say you’re lonely, rich man friend, after all the things you’ve shown me? Rich man friend Rich man friend Rich man friend Rich man friend
21.
Lonesome Larry Hoover (E. Beaumont/K. Roderick) I’m overdrawn by hundreds in my checking account but I’ve got friends who can front necessary amounts Still I wish my doggone job paid me enough so rent don’t bounce Times like this I wish I was a mover like lonesome Larry Hoover I got my freedom and my name, a good game with no shame, broke as a joke with no one to blame I love to eat more than my means can meet I feel no more an improver that lonesome Larry Hoover Larry sold rocks around the clock and ruled the block, boom shock-a-lock Now he clock heavy dough in escrow – that much we know In the end he might never have a friend or Disciple ears to bend You say he’s a zero, some say a hero I loved a woman so I sent her all my arrows straight and narrow She send them all broken back to me, C.O.D. Larry’s lady ran out of block and turned him in, so what the fuck? Can’t buy me love or liberation So now Larry sings the blues and so do you and so do you So what’s new? I sing the reds, we all get dead On the G – O – D you keep swearing you are free in the land of the free and lonesome Larry Larry sold rocks around the clock and ruled the block, boom shock-a-lock Now he clock heavy dough in escrow – that much we know In the end he might never have a friend or Disciple ears to bend You say he’s a zero, some say a hero
22.
Song from the Saturation Zone (lyrics: T. Pynchon, music: E. Beaumont) Oh, don’t let it get you – it will if they let you but there’s something I’ll bet you can’t see: it’s big and it’s nasty and it’s right over there It’s waiting to get its sticky claws in your hair and the dustman is tying his tie and it all goes along to the same jolly song with a peppermint face in the sky With a peppermint face in the sky and a withered old dream in your heart you’ll get hit with a piece of the pie with the pantomime ready to start Oh, the tommy is sleeping in the snowbank tonight and the jerries are learning to fly We can fly to the moon, we’ll be higher than noon in our polythene home in the sky Pretty platinum pins in your hand Oh, your mother’s a big bad machine gun and your father’s a dreary young man Oh, the manager’s sucking on a corncob and the bankers are eating their wives All the world’s in a daze while the orchestra plays so turn your pockets, get your surprise: There was nobody there after all and the lamps up the stairway are dying It’s the season just after the ball The palm trees whisper on the beach somewhere and the lifesaver’s heaving a sigh Those voices you hear, Boy and Girl of the Year are of children who are learning to die
23.
First We Take Manhattan (L. Cohen, arr. E. Beaumont/M. Koch) They sentenced me to 20 years of boredom for trying to change the system from within I’m coming now, I’m coming to reward them First we take Manhattan, then we take Berlin I don’t like your fashion business, mister I don’t like these drugs that keep you thin I don’t like what happened to my sister First we take Manhattan, then we take Berlin I’d really like to live beside you, baby I love your body and your spirit and your clothes but you see that line that’s moving through the station? I told you, I told you, I told you that I was one of those I’m guided by a signal in the heavens I’m guided by the birthmark on our skin I’m guided by the beauty of our weapons First we take Manhattan, then we take Berlin You loved me as a loser; will you love me if I win? You know the way to stop me, but you don’t have the discipline How many nights I prayed for this, to let my work begin First we take Manhattan, then we take Berlin
24.
Ghosts of Stonewall (E. Beaumont) Winter morning in middle America The money machine moves on, unaware of you It’s cold, my friend, to the one in ten love we send Pick yourself up once again Don’t crack, don’t break, don’t bend Remember the fury of 1969, though Officer Unfriendly descended on disco Outside it was war, officer blood pour You couldn’t take it anymore It started on the dancefloor Vocȇ caiu da cerca Eu estou caindo Nós devemos cair da cerca Vocȇ caiu da cerca Estou caindo But 1969’s oh so long ago, too long since you kicked over that door in self-defense, no more polite pretense Sermons make no sense when you’ve fallen off the fence
25.
Drums of Life (New Orleans version) (E. Beaumont) Deep from the distance, I hear the drums of life I hear industrial pistons, I think I love this life Down in the dungeon I hear the drums of pain The smell of death so pungent, your debit is the devil’s gain I need, I need for you to give me some The beat, the beat, the beat of the living drum Drunk with the spirit, I hear the drums of love Death? I don’t fear it; I’ve got my family’s love Down on the dancefloor I hear the drums of war Let’s scratch the record and hear the lions roar But I shall not, shall not refrain So sweet the beat, so sweet the pain Deep from the distance, I hear the drums of life, rhythmic resistance, I think I love this life I think I love my life, try to not trife Put away switch knife, no more struggle or strife
26.
27.
Throw Open Your Arms (E. Beaumont) Throw open your arms I’ll throw down my spear Throw open your heart I’ll throw down my fear I love your arms I’m happy inside Inside your arms I’m sanctified I used to spar, I used to spear Now I’ve gone fishing on fighting this year Throw open your arms I’ll throw down my arms Throw at me your charms Do you no harm Throw open your arms, your arms to me I’ll stand up to any rivalry Throw open your arms, your arms to me I’ll stand up to any riflery
28.
W-2 Blue 02:34
W-2 Blue (E. Beaumont) Up in the morning at five, so tired I’m barely alive At six I pick up the sticks that my baby built into a house last night 6:15 I rouse my girl Into the cold water our bodies we hurl I quit the university – nutrition ain’t free and my child’s depending on me 6:30 a.m. and breakfast we bolt, to the bus stop, no time to revolt I want her to walk before she fall Day care’s not caring at all and I could cry because I care for my baby and you know and I know but why did we let the wealthy privatize their own lives and drag us out into the street? No time for complaining, no time to eat This workplace is stifling with heat 9:30 a.m. I’m ready to drop 9:30 tonight I’m home, closed is the grocery Who’s going to feed my girl? We’re always so hungry, I’m hating this world Too tired to read but I try I tell my sweet, sweet child about cats in the sky and of fiddles, of cows, slaves and of plows Alarm rings and I rouse and get the hell out of the house
29.
Best of the West (Belsha/Beaumont) “Is this all there is?” you ask as you look down at your cracked old crown, consumed by lavish spreads, your heart worn down to threads No matter how hard you try, you always wake up alive in the morning, singing that song to make me cry My sympathy turns to public scorning Is this the best of the West? Where is your beauty? Is this the best of the West? Where is your dignity? Same thing day after day How much can you take? Bus, train, work, hit the hay How much can you take? No long tortured at school, you learned to nurture self-ridicule No matter how hard you try, you always wake up alive in the morning, singing that song to make men cry My sympathy turns to public scorning Is this the best of the West? Where is your beauty? Is this the best of the West? Where is your dignity? Is this the best of the West? Is this the best of the West? Is this the best of the West, of the Midwest? The best of the West?
30.
Some Happy Day (E. Beaumont) I’ve had such a happy time with you You know I say it from my heart and now the time has come, has come for us to part so let’s celebrate the good, good times to come Some happy day When we’ll all unite You know you are welcome day or night In the time we spend between each other having seen the closer we grow and so good night This night is not goodbye forever We go our separate ways together I’ll cherish your memory, take it everywhere with me and I’ll remember the good, good times to come The closer we grow and so good night The closer we grow and so good night
31.
Song from the Saturation Zone (lyrics: T. Pynchon, music: E. Beaumont) Oh, don’t let it get you – it will if they let you but there’s something I’ll bet you can’t see: it’s big and it’s nasty and it’s right over there It’s waiting to get its sticky claws in your hair and the dustman is tying his tie and it all goes along to the same jolly song with a peppermint face in the sky With a peppermint face in the sky and a withered old dream in your heart you’ll get hit with a piece of the pie with the pantomime ready to start Oh, the tommy is sleeping in the snowbank tonight and the jerries are learning to fly We can fly to the moon, we’ll be higher than noon in our polythene home in the sky Pretty platinum pins in your hand Oh, your mother’s a big bad machine gun and your father’s a dreary young man Oh, the manager’s sucking on a corncob and the bankers are eating their wives All the world’s in a daze while the orchestra plays So turn your pockets, get your surprise: There was nobody there after all and the lamps up the stairway are dying It’s the season just after the ball The palm trees whisper on the beach somewhere and the lifesaver’s heaving a sigh Those voices you hear, Boy and Girl of the Year, are of children who are learning to die
32.
Mercy 03:35
Mercy (E. Beaumont ) Mercy, mercy, what a fine time Mercy ‘pon the bosses and divine crime Mercy, mercy to the broke man Mercy – collecting Sprite and Coke can Mercy! Mercy! Mercy, Mercy, Mercy – Cannonball Mercy won’t change investment plan at all Mercy, mercy in a cold blood age Mercy, mercy ‘midst the mad dog rage Mercy! Mercy! Mercy! Oh, mercy! Mercy, mercy to the human race Mercy in destabilizer stormtroop’s face Mercy, mercy when your blood boils over Mercy to the driver in the bulldozer Mercy! Mercy! Mercy! Oh, mercy! Sweet mercy! People, have mercy! Mercy, mercy to the young guns Mercy to the sons of bitches, bastard sons Mercy, mercy on your enemies Mercy – stop the war and stop disease Mercy! Mercy! Mercy! Mercy! Mercy! Mercy! Mercy!
33.
34.
Bass Dream 03:33
35.
Too Close to Heaven (E. Beaumont) You’ve come so very far, the Far East to the Yankee dancehall Look out, Miss Five Foot Tall, now you’re very near to a fall You’ve given your heart to a good man, my feet are leaden with fear Stop sweeping my off my feet – don’t break your promise here Don’t dance away the hours under melodies like showers It feels like walking on flowers Seconds turn to minutes, to hours and it’s… …twenty-two past eleven This feels too close to heaven You’re dancing much too close to me This is too close to heaven Won’t disrespect my brethren I’ll send you back, right back into his arms
36.
Dance Do the Reggae (R. N. Marley) Dance, do the reggae Dance, do the reggae Dance, do the reggae You’re young and you’re strong – rock all night long You’re young and you’re strong – rock all night long I wish to hear the music that rocks my soul I wish to hear the sweet, sweet music that rocks the soul I know we can dance, do the reggae Dance, do the reggae Dance, do the reggae You’re young and you’re strong – rock all night long You’re young and you’re strong – rock all night long Here I am on the balcony all in pain and agony but peace be to all mankind in perfect harmony I know we can dance, do the reggae Dance, do the reggae Dance, do the reggae You’re young and you’re strong – rock all night long You’re young and you’re strong – rock all night long

about

All songs written by E.B. except where otherwise noted
All songs published by Eric Blowtorch Songs (BMI) except
“First We Take Manhattan” (Sony/ATV Songs LLC (SOCAN) &
“Dance Do the Reggae” (Universal Music Corp. (ASCAP)

Love and gratitude to Margaret Koch
In memory of Richard Koch, William Ross, Lucy Román, Gloria Rodriguez Kappel and Harvey Scales

Inspiration & Perspiration: Tommy Diamond, Gaz Mayall, Natty Bo, Ollie Bayley, Harmonica Matt, Paul Hookham, Stewart Wilson, Paul Finger, Fred Dintenfass, Joe Schoenecker, Dr. Madd Vibe, Ai Terada, Michiko Takahashi, Bobby Tanzilo, Nate Vest, Ed Spangenberg, Corinne Lee & Gerry Belsha

Inflammables Emeritus: Matt Davis, Fierce Tim Pierce, Danny Dan Fernández

credits

released May 21, 2022

Recorded and mixed by Shane Olivo at Bobby Peru Recording, Milwaukee
Recorded by Didier Leplae at Sydney HiH, Riverwest Commons, and Pumpkin World, Milwaukee
Recorded by Billy Cicerelli at WMSE-FM, Milwaukee
Recorded by Joe Vent at Col. Kurtz's Lair of Sound, Milwaukee
Recorded by E.B. at Kochhaus, Brewers Hill, Milwaukee
Recorded by Baggypantsrich in Baltimore
Pre-mastered by Shane Olivo at Shane Olivo Audio
Project coordinator: Joe Vent at A to Z Media
Design consultant: Melissa Brookens
Front cover photo: Matt Norberg
Photoshop work: Laura Robles

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about

Eric Blowtorch Milwaukee, Wisconsin

Singer/guitarist/songwriter Eric Blowtorch sings, plays, and writes reggae, ska, rocksteady, soul, rock 'n' roll, funk, Latin, disco, hip-hop, Anglo-Afropop, and jazz songs with rhythm, melody, passion, and original comic timing. E. B. plays solo, in small combos, and with a band, Eric Blowtorch and the Bodyguards. ... more

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